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In that regard, a viable alternative might have been to counter Daytona with undeniable quality a clear sense of vision, meant to encapsulate Drake in all his artistic glory. We’ve already come to understand Drake as a proud man, and one can only imagine backing down from such a scathing public shaming would prove difficult. Maybe that’s why Scorpion still carried an aura of disappointment, despite being lined with many quality bangers. Despite reports that the Pusha T beef was dead, some wondered if Drizzy had a response tucked away in the stash anything remotely resembling pacifism reeked of defeat, even if the moral compass so clearly favored the higher ground. Yet Scorpion felt weighed down by a cumbersome set of expectations. It’s strange to imagine Drake, with all his broken records, platinum plaques, and worldwide recognition, as an underdog. Only when one reigns so mightily at the top, can the descent to the bottom be such a public affair while the masses cherish an underdog, they’re often quick to forget their role in shaping such a figure to begin with. While a Drake record may have previously set the summer ablaze, it felt more akin to the scene from Toy Story, where Andy trades in the stalwart Woody for the post-modern delights of Buzz Lightyear. Though few would dispute “Duppy” was a respectable first strike, public opinion soon came to favor the counter-riposte of “The Story Of Adidon.” It didn’t take long for the once adoring public to turn on Drake, and soon, October’s Very Own felt very much on his own.
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For reasons, perhaps self-imposed, perhaps driven by his self-professed embracement of the “good-guy” role, the reveal of young Adonis seemed to play out like a television plot-twist, played to audible gasps and the visual of a smug Pusha T stroking his goatee, Satanlike.įor many, even those dubbing themselves loyalists, Drake’s reputation took an irrefutable hit. In a vacuum, the birth of Drake’s son is nothing particularly unheard of, least of all in hip-hop many rappers have children, some more than others, and seldom is progeny put on so public a pedestal. The telenovela- esque birth of a Graham heir, fathered in secret somewhere in the romantic French countryside, or possibly the standard hospital. Tarnishing the release of Scorpion was an appropriately venomous narrative. And you are listening to him say it.More unfazed than upset, Drake's "Scorpion" is anchored by the weight of its own expectation, despite moments of brilliance. Now I am more rich, and now you are more having this record.' Is what Drake is saying. I paid for this record, then you paid me for this record. Except, it's really my record, because I signed it, and my face is on it, and I sang and rapped it and someone I paid wrote and produced and recorded and mixed and mastered and distributed it. Because so many people would love to put my face on their record, would pay millions of dollars for the licensing, that this really could be anyone's record. Drake is saying, 'I signed this record because otherwise, you wouldn't know it was my record. Or actually, it could be someone else's record - Drake seems to be suggesting this, through the addition of his signature at the bottom right hand corner of the record. Scorpion is Drake's record, which you know, because his face is on it.
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Review Summary: My girlfriend loves Drake, is what I would say, if I had one, and I would be right.